Dominion Theatre, London.
25 March 2026.
The Devil Wears Prada: The Musical struts onto the West End with all the confidence of a perfectly tailored couture gown, delivering a production that is as visually sumptuous as it is musically engaging. With a keen eye for detail and a strong sense of theatrical rhythm, this staging leans confidently into the world of high fashion while never losing sight of its human story.
The costumes are, quite simply, extraordinary. Opulent, over-the-top and full of flair, they move beyond wardrobe into the realm of storytelling. Each piece is thoughtfully curated, mirroring the allure and excess of the fashion industry. The use of colour is particularly striking. It’s bold, deliberate, and constantly shifting, creating a dynamic stage picture that feels alive.
This visual richness is heightened by the production’s clever juxtaposition of environments. The stark, often minimalist New York office scenes contrast sharply with the modest, grounded apartment moments, allowing Andy’s world to feel tangible and relatable. These quieter settings make the show’s more extravagant sequences all the more impactful. The ball scene bursts forth with indulgence and theatrical flair, but the stunning Paris sequence truly defines the production.
Paris is the undeniable highlight – a moment where all design elements converge in perfect harmony. The staging becomes fluid and cinematic, the lighting softens into something almost dreamlike, and the red, white and blue costumes reach their most elevated form. It captures the intoxicating pull of the fashion world with elegance and precision, creating an immersive sequence that makes the audience understand Andy’s enchantment and subsequent questionable decisions.
Jerry Mitchell’s direction and choreography complement the musical landscape with clarity and intention, reflecting both the precision of the fashion world and the individuality of its characters. Ensemble sequences are slick and sharply executed, while quieter moments allow for a more grounded, character-driven movement quality. There is a strong sense of structure throughout, with seamless and purposeful transitions, and many moments paying homage to the iconic catwalk.
Elton John’s score underpins the production with his signature flair, creating brilliant numbers that are both memorable and emotionally driven.
Vanessa Williams leads with absolute command as Miranda Priestly. Her performance is poised and controlled, embodying the character’s authority with ease, while a subtle thread of cheekiness adds a fresh and engaging dimension. She understands the power of restraint, allowing even the smallest moments to land with precision.
Stevie Doc delivers a compelling and believable Andy, charting her transformation with clarity and emotional truth. Her performance feels grounded, drawing the audience into her journey without ever overstating it. She is an incredible performer.
As Nate, Keelan McAuley brings warmth and authenticity, offering a portrayal that is both likeable and recognisable. He has outstanding vocal strength, adding depth and texture to the role.
Matt Henry stands out as Nigel, combining charisma with exceptional vocal ability. His performance carries both heart and presence, making each of his moments feel significant. There is a natural ease to his delivery.
Importantly, fans of the cult classic film The Devil Wears Prada will find much to enjoy in the musical. There is often a sense of trepidation when a beloved film is reimagined for the stage, but this production embraces the transition with confidence and flair. It adds an extra layer of fun, frivolity and glamour, enhancing the narrative rather than simply replicating it.
For long-time admirers of the film, this is an entertaining and affectionate adaptation; for those new to the story, it offers a vibrant and accessible spectacle. In both cases, The Devil Wears Prada: The Musical delivers a thoroughly enjoyable night at the theatre, full of style, energy and charm.
By Deborah Searle of Dance Informa.
