Founder, CEO and Artistic Director of Ballet Black, Cassa Pancho, talks on a sunny morning from Ballet Black’s studios in Hammersmith, London,...
“Our works are experiences, rather than entertainment.” ~Rudi Cole It’s a hot day in Barcelona, as I speak with HUMANHOOD Co-Founders Rudi...
For many UK dancers, the American dream is exactly that, nothing more than a dream. But for dancer and educator Laura-Jane Fenney,...
“By connecting with a culture that is less familiar to UK audiences, I think we offer an opportunity to see universal themes...
The past few years have both flown by and been filled with so much, reflects Nic Doodson on the time between his...
Starting dance training late doesn’t have to be a barrier to success. In spite of only beginning formal dance lessons at 18,...
With the school run done, Itziar Mendizabal sits down to reflect on the first few weeks in her new role, teaching upper...
The term triple threat is thrown around a lot when it comes to performing arts, and the pop band Full Circle Boys...
With a portfolio that spans iconic productions like Tina The Musical, Mamma Mia! and Joseph and the Amazing Technicolour Dreamcoat, films including...
Christopher Marney, Artistic Director of London City Ballet, is a passionate advocate for works that risk being forgotten. This Autumn, he becomes...