Peacock Theatre, London.
22 May 2025.
Bat Out of Hell: The Musical is the kind of production that makes you realise how much more there is to it than the talented cast you see on stage. The set was packed with every inch in use over multi-level platforms.
A large circular entrance to the underground tunnels, with ladder and stairs over the top of it, in frequent use by performers. Above this, the band – in full view of the audience – so important for onstage energy and visual enjoyment of the music. Above the musicians, hung two huge screens. On the righthand side, a raised stage area worked effectively as the skyscraper bedroom of Raven, daughter of the tyrant leader Falco and love interest of leading man Strat. Her actions were followed and filmed by an onstage crew member and footage streamed to the overhead screens, an effective technique bringing close-up live action to the audience.
The Peacock Theatre is significantly smaller than previous London stages Bat Out of Hell has been performed on. The dancing area was restricted in size, especially given the complex structure of the impressive set, but the cast were outstanding in their use of it. Cleverly grouped and spaced choreography, and the wildest energy from start to finish made sure that it was not a disadvantage at all.
There’s some great production history in the souvenir brochure, and having seen the show a few years ago, it was exciting to see Rob Fowler and Sharon Sexton, who originated their roles as Falco and Sloane in 2017, back for the UK Tour of Bat Out of Hell.
That performance history together of course gave them great onstage dynamics, and trust in one another. Their powerful voices were so emotive, especially in their fabulously theatrical and entertaining duet at Raven’s birthday party, which saw them both stripping down to their underwear.
Also reprising his role from the original 2017 cast was Glenn Adamson as Strat. His onstage charisma was phenomenal. He played the role with boyish charm and spirit to perfection; Gatecrashing Raven’s 18th birthday party so he could reveal his love to her and convincing her to run away with him. He commanded the stage.
Playing opposite Adamson was newcomer Katie Tonkinson with an outstanding voice in the role of Raven. They had some onstage rapport, especially in song duets together; it would be great to see how that rapport develops as the UK tour continues.
The nod to Peter Pan, the Lost Boys and Tinkerbell was fun but not overplayed. In the post-apocalyptic world of Bat Out of Hell, the outcast youngsters known as ‘The Lost’ never grow old. Tink, played by Carla Bertran, was loyal and passionate in her portrayal of her character as Strat’s best friend.
Bat Out of Hell is not the show for everyone. It’s loud, physical, edgy and not really like any musical you’ve seen before.
It did and does attract a range of different viewers. General musical theatre-goers, groups of friends, and definitely Meatloaf music fans, many of whom had seen the show multiple times. The dancing was not technically difficult, but it was punchy, eye-catching and energising. Handheld mics were used throughout — unusual but lent itself well to the rock concert vibe, as well as flame flares, dry ice and moving lights. Everywhere you looked, there was something going on. It was exhilarating.
Light moments included Sloane spitting her drink across the table when her daughter announced she was in love with Strat, and Raven asking Strat if he will still love her when she is 38, 48….. even 49, as he will remain 18 forever!
More emotional moments included Falco singing, “What part of my body hurts the most,” revealing a softer side to him which helped the audience empathise with his character. And Strat’s protective love for Tink when she is hurt by Falco. Everything else faded into insignificance as he knelt at her side cradling her.
The Strat and Raven reconciliation duet, joined by Falco and Sloane was incredible, passionate. “It’s all coming back to me now…..”
There’s a definite uplifting feel at the end, and the audience were on their feet immediately for the bows. The UK Tour midway now, this cast are going to give a lot of people a fantastic night out over the next few weeks!
By Louise Ryrie of Dance Informa.
